An exhibition titled ‘The Sacred Aesthetics’, showcasing Phad and Pichhwai paintings of Rajasthan by artists Prakash Joshi and Mukut Joshi, is currently underway at Bikaner House and will continue till March 23.
The exhibition brings together 28 works—15 Phad paintings and 13 Pichhwai compositions—offering a comprehensive view of two of the region’s most significant artistic traditions.
Phad paintings, traditionally created as large narrative scrolls for itinerant priest-performers, are represented through the works of Prakash Joshi, a noted artist from the Joshi lineage. These works foreground storytelling, ritual and community engagement, reflecting the historical role of Phad as a performative and devotional medium.
In contrast, Mukut Joshi’s Pichhwai paintings draw on a more intricate and devotional visual language, centred on themes associated with temple traditions. Known for their detailed iconography and ornamental richness, these works emphasise individual spiritual experience and a refined aesthetic sensibility.
Together, the two forms highlight distinct yet complementary approaches to sacred art—one rooted in narrative and collective participation, the other in contemplative devotion. Their presentation within a contemporary gallery setting also situates them as both ritual objects and works of fine art, reflecting their evolving place in today’s cultural landscape.
Speaking about the exhibition, Rooftop CEO Kartik Gaggar said the initiative seeks to bring India’s artistic heritage closer to wider audiences while highlighting the continuing relevance of traditional practices.
The exhibition follows Rooftop’s earlier initiatives, including Indiyart’s 2024 showcase Viral Gaatha, which explored tribal art forms through contemporary formats.
Also Read: Pancha-Tattva: Reconnecting with material through art, design and architecture
When: Untill March 23; 11 AM to 7 PM
Where: The Main Art Gallery, Bikaner House, New Delhi
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