Cinema

Dance has always been my true calling: Revati Mahurkar

Published by
Tahir Bhat

Revati Mahurkar may now be a familiar name in the entertainment industry, but her true calling has always been the performing arts. While she is now well-known because of her connection to Bollywood, she values the less visible dedication and hard work that often go unnoticed behind the scenes.

“I have loved the performing arts since my childhood — it has always been my true calling,” she says.

“There came a point in my life when I simply knew there was no other work in the world that would make me as happy.”

Guru Randhawa’s hit music video Qatal introduced her to a much wider audience and altered the trajectory of her career. She explains that the opportunity was the culmination of years of dedication to dance. “I think it was just the moment all my dance training paid off. I was spotted online and cast in the video.”

The song became a major success and opened new doors for her. “I’m certainly grateful to Guru for the opportunity because it gave me the courage to come to Mumbai and pursue my dreams.”

Art of presence

Mahurkar today moves comfortably between acting, dancing and modelling. Dance, she explains, has given her a strong awareness of how she occupies a space.

“I’m always aware of how I’m holding space in a scene.”

Acting has transformed her relationship with dance. “I’m not just executing steps, I’m feeling something and letting that move through me.”

Modelling has taught her a different lesson altogether — the power of stillness.

“It taught me how much a single moment can communicate. They are really just different languages for the same thing — presence,” she says.

The entertainment industry is often defined by competition and constant scrutiny, but Mahurkar has learnt to remain focused on her own path. “You have to be focused on your journey. Everyone is on a different path, and what’s meant for you will come to you. Always be grateful.”

‘Something to discover’

As an actor, Mahurkar is drawn to projects that challenge her. “I’m drawn to roles that make me a little uncomfortable — that’s usually a sign that there’s something real to discover.

“My preparation starts with simply sitting with the character and asking what she wants and what she is afraid of. Once I understand her emotionally, the physicality follows naturally,” she explains.

What excites her most is the possibility of discovering something new through each role.

Discipline of Kathak

One of the most significant milestones in her artistic development came much earlier, through classical dance. Her Kathak Rang Manch Pravesh at the age of 17 was a defining experience.

“I used to dance every day for two to three hours. My feet would literally peel,” she says.

The demanding training culminated in a 90-minute solo performance. “That’s really when I knew how important it is to keep going, no matter what.”

‘Believing in yourself’

Like many performers, Mahurkar had to learn how to deal with rejection in a highly competitive industry. Her resilience stems from conviction about why she chose this profession.

“When being part of the industry is your calling, there is something inside of you that forces you to keep going no matter how hard it gets. You simply have to keep believing in yourself.”

Mahurkar believes storytelling has undergone a significant shift in contemporary cinema. “I think we now put human stories before flashiness,” she says.

She believes audiences are increasingly drawn to authenticity and complexity.

“Comfort watching will always be part of what we love about the movies, but somewhere I think we want to learn more about the world and people around us through films.”

She sees a similar transformation in the opportunities available to emerging actors through OTT and digital platforms. “There’s definitely a much larger scope of potential opportunities for emerging actors. Gone are the days when just a few production houses could make or break your career.”

Driven by purpose

Mahurkar remains less focused on specific genres and more interested in projects that push her beyond familiar territory. “I love when a role or performance opportunity pushes me to explore a part of myself I am unfamiliar with. I’m looking forward to being surprised by the work I continue to get.”

While she does not wish to speak about her upcoming projects, she hints that exciting work is on the horizon.

Her ambitions extend beyond career milestones or industry recognition. “I want to create an impact on my audience. I want my work to make them feel seen, heard and motivated.

“I think the ultimate reward in all of this is building a community you can bring value to.”

Tahir Bhat

Tahir is the Chief Sub-Editor at Patriot and hails from north Kashmir's Kupwara district. He holds a postgraduate degree in Mass Communication and Journalism from the University of Kashmir. His previous stints in the field of journalism over the past eight years include serving as online editor at Kashmir Life, where he covered a range of political and human-interest stories. At Patriot, he has expanded his focus to encompass the lifestyle and arts scene in Delhi, even as he has taken on additional responsibilities at the desk. If there’s news about Kashmir in Delhi, Tahir is the person to turn to for perspective and reportage. Outside of journalism, he loves travelling and exploring new places.

Published by
Tahir Bhat

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