Cinema

From television to OTT, Rohan Gandotra navigates an evolving industry

Published by
Tahir Bhat

In an industry where reinvention is often the only constant, Rohan Gandotra’s journey from Delhi to the world of television and digital platforms reflects both persistence and adaptability. Over a decade into his career, the actor has navigated daily soaps, high-stakes replacements and the more nuanced terrain of OTT storytelling—each phase shaping his understanding of the craft.

Born and raised in New Delhi, Gandotra’s early years were far removed from the arc lights of the entertainment industry. Coming from a non-film background, his entry into acting was driven more by instinct than a defined roadmap.

“The biggest challenge was the lack of a roadmap,” he says. “When you don’t come from a film family, every ‘no’ feels personal, and every ‘yes’ feels like a miracle.”

That uncertainty defined his early years, but it also built resilience. Before stepping into acting, Gandotra explored modelling, working across numerous advertising campaigns for brands such as Casio, Vodafone, Tata Docomo and Hyundai Eon. It was a gradual process of finding his footing, one that would eventually lead him to his breakthrough.

The Everest moment

Gandotra’s debut came with Everest in 2014, a show helmed by filmmaker Ashutosh Gowariker. For a newcomer, it was an unconventional launch—ambitious in scale and demanding in execution.

“Starting with a project helmed by Ashutosh Gowariker was like going to the best film school imaginable,” he says. “It set a high bar for discipline and scale.”

The experience, he notes, reshaped his understanding of acting itself.

“It taught me that acting isn’t just about the lines; it’s about the environment, the physical stakes and the vision of the storyteller,” he adds. “That role gave me the confidence to believe I belonged in this industry.”

“I don’t have to take on work just to stay busy; I can choose projects that actually resonate with me,” he explains. “My business mindset also helps me understand the ‘industry’ side of show business—contracts, branding and long-term strategy.”

In an industry often driven by uncertainty, that balance offers both stability and creative freedom.

The Delhi influence

Despite building his career in Mumbai, Gandotra credits his Delhi upbringing for shaping his personality and outlook.

“Growing up in Delhi gives you a certain ‘raw’ energy and a ‘never-say-die’ attitude,” he says.

The city’s diversity, he adds, has been an unexpected advantage.

“The city is a melting pot of cultures and personalities, which is a goldmine for an actor,” he says. “That Delhi hustle helped me navigate the initial years in Mumbai when I was still finding my footing as an outsider.”

It is a grounding influence, one that continues to inform his work.

Evolving with the audience

Having spent over a decade in the industry, Gandotra has witnessed a significant shift in audience expectations.

“Audiences today are incredibly smart,” he says. “They have access to global content, so ‘average’ no longer works.”

The change, he believes, is pushing actors to evolve.

“Storytelling has moved away from melodramatic tropes toward grit and authenticity,” he says. “As an actor, this evolution is exciting because it demands more growth and versatility.”

It is a challenge he appears ready to embrace.

Drawing the line

With increasing visibility also comes public attention, particularly around personal life. Gandotra prefers to maintain a clear boundary.

“I try to keep a clear line between my professional persona and my private life,” he says.

For him, privacy is not about withdrawal but about focus.

“While I appreciate the love from fans, I’ve learned that not everything needs to be shared,” he adds. “Maintaining that boundary keeps me sane and allows the focus to remain on my craft and my ventures.”

Looking ahead

As he moves into the next phase of his career, Gandotra is consciously seeking roles that challenge conventional definitions of a leading man.

“I am consciously seeking roles that are ‘un-heroic’—characters with flaws, shades of grey and complex motivations,” he says.

The aim is clear: to move beyond appearances and into performance.

Also Read: Nivedita Basu on shaping Indian television and navigating the OTT shift

“I want to move away from being just a ‘face’ and be recognised as a performer who can disappear into a role,” he adds.

With projects like Nasha, which explores ambition, betrayal and emotional conflict, that shift is already underway.

“What drew me to Nasha was its raw exploration of ambition,” he says. “In this industry, we all deal with conflict and the drive to succeed. This project felt like a mirror to the complexities of modern aspirations.”

For Gandotra, the journey ahead is less about visibility and more about depth. In an industry that is constantly changing, his focus remains on one thing—growth, both as an actor and as a storyteller.

Tahir Bhat

Tahir is the Chief Sub-Editor at Patriot and hails from north Kashmir's Kupwara district. He holds a postgraduate degree in Mass Communication and Journalism from the University of Kashmir. His previous stints in the field of journalism over the past eight years include serving as online editor at Kashmir Life, where he covered a range of political and human-interest stories. At Patriot, he has expanded his focus to encompass the lifestyle and arts scene in Delhi, even as he has taken on additional responsibilities at the desk. If there’s news about Kashmir in Delhi, Tahir is the person to turn to for perspective and reportage. Outside of journalism, he loves travelling and exploring new places.

Published by
Tahir Bhat

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