Rana Siddiqui Zaman
The writer is a senior journalist, poet, co-author of ‘Muslims in Media’ and art and music curator
Posts by: Rana Siddiqui Zaman
From NSD training to OTT fame: The inspiring journey of Kumud Mishra
Mishra’s unassuming manner, shaped by his early days in Mumbai and his training at the country’s premier acting school, makes him not just a talented actor but a remarkable conversationalist
Films don’t create revolutions or tangible impact: Nandita Das
Zwigato, Nandita Das’ film on the gig economy and the people behind it we often ignore, returns to OTT after making a splash at international circuits. The filmmaker shares the thoughts behind the film, audience response, and more
Celebrating Children’s Day: Bridging the divide with today’s digital generation
As children’s day evolves, initiatives by two individuals offer a creative and companionate approach to nurturing young mind
Muzaffar Ali’s Faras Nama showcases horses as symbols of Sufi spirituality
For Muzaffar Ali, horses symbolise a deep-rooted spiritual connection, reflecting an inherited passion that transcends mere ownership to encompass friendship, care, and a lifelong administration
I don’t understand the word ‘spiritual,’ as I don’t understand the word ‘politician,’ says classical dancer Sonal Mansingh
Celebrated classical dancer Sonal Mansingh shares her thoughts on dance, criticism, and Delhi’s shrinking spaces for performance; she calls for urgent revival of cultural venues while recalling her remarkable journey in classical art forms
Exclusive | It’s time to be realistic about theatre: Naseeruddin Shah
In an interview with Patriot, the celebrated actor says he sees promise in the efforts put in by the next generation of theatre artists
We deal with most sensitive topics in most insensitive ways: Iqbal Azad
Noted television actor Iqbal Azad says daily soaps do not invest enough in perfection and provide no space to improve skills
Yes Papa: A cinematic triumph on harrowing realities
In his feature debut, Saif Hyder combines subtle storytelling, intense performances, and societal commentary, confronting audiences with the taboo subject of familial abuse and paedophilia