PAINTING
Can we shape our collective futures using this disruption of artificial intelligence?
[…]Roop, now 83, lives in what may best be characterised as a living museum, with a collection that many reviewers and art enthusiasts admire.
[…]‘Ambari’ also depicts an innovative art form known as half on half, in which heritage buildings and town ships are painted against the all-encompassing sky, unique to her style
[…]Painting was Shafali R. Anand’s first love, which blossomed into an all-consuming and eternal devotion
[…]Her artwork is characterised by the ‘sense of being’ and of contentment
[…]Wandering is the grammar that artist Madan Meena abides by in his artistic language. It is not wandering in vain – it is always a journey to make connections. Connections between heritage, culture, craft and people. The more he wanders, the more connections the artist makes. These connections manifest as maps, lines, motifs and intricate artworks
[…]The carnival this year is special as it returns from a two-year hiatus. Due to the Covid-19 pandemic, the art festival was shelved to prevent public gathering. There will be no entry fee
[…]Empowering women is an emotion more than a goal in Pavani Nagpal’s art!
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